(Im)Material Problems. Challenges in Researching AI with Digital Methods in the Time of AI, with Richard Rogers. EASST2026 More than now: exploring resilient futures, European Association for the Study of Science and Technology. Krakow, Poland. September 8-11, 2026.
Tagged “Methods”
Keep Calm and AmaZen: Materialities of Energy-as-Work in Mindfulness Technologies. In Digital Exhaustion: Burnout, Fatigue, and Overload in the Age of Constant Connectivity, Intellect. 2026.
AI and its (Dis)Contents: Methods of Mapping AI as and with Digital Media, with Ruchard Rogers and Natalia Sánchez Querubín. Digital Humanities Today: Critical Inquiry with and about the Digital, King’s College London. London, UK. 23–26 June 2026.
Artificial Intelligence And Its Collective Ideation: Doing A Media Archaeology On Wikipedia, with Richard Rogers and Natalia Sánchez Querubín. Preprint. June 2026.
The Human Guide to Detecting AI Imagery. AI Forensics. 2026.
How AI is imagined by industry during the Sam Altman controversy, with Richard Rogers. In New Media and Society, 2026.
Online Media Archeology as AI Critique: Wikipedia’s Links and Edits as Spatial and Temporal Fields, with Richard Rogers and Natalia Sánchez Querubín. In AoIR Selected Papers of Internet Research. 2026.
Prompt, Upload, Repeat: The Clutched Entanglement of Platform Economy and Governance in the Face of Agentic Al Accounts, with Martin Degeling, Salvatore Romano, Raziye Buse Çetin, Miazia Schueler, Silvia Semenzin. PlatGovNet 2025: Transitions, frictions and new realities in global platform governance. Online. December 1, 2025.
Networked artifacts analytics: Interdisciplinary methods of investigating synthetic AI imagery. Seeing Through Complexity: Entanglements in Visual Cultures, ECREA Visual Cultures Section. Online. 6 November 2025.
Prompt, Upload, Repeat: How Agentic AI Accounts Flood TikTok with Harmful Content, with Martin Degeling, Salvatore Romano, Raziye Buse Çetin, Miazia Schueler, Silvia Semenzin. AI Forensics, 2025. Also online as a Preprint.
Online Media Archeology as AI Critique: Wikipedia’s Links and Edits as Spatial and Temporal Fields, with Richard Rogers and NAtalia Sánchez Querubín. The AoIR2025 Conference, Association of Internet Researchers. Niterói, Brazil. 15–18 October 2025.
Generating Algorithmic Virality: How synthetic AI imagery and agentic AI accounts try to game TikTok and Instagram, with Martin Degeling, Salvatore Romano, Buse Ryze Çetin, Miazia Schueler, Silvia Semenzin. AI Forensics, 2025. Also online as a Preprint.
The Death of an Image - Again? Using the ‘Digital Forensic Gaze’ to See (like) Deepfakes, with Richard Rogers. Ethics and Aesthetics of Artificial Images. IUAV University of Venice. Venice, Italy. 8–10 May 2025.
AI Imaginaries Have Issues: Mapping an AI Controversy with Social Media, with Richard Rogers. In AoIR Selected Papers of Internet Research. Sheffield, UK. 2025.
AI Imaginaries Have Issues: Mapping an AI Controversy with Social Media, with Richard Rogers. The AoIR2024 Conference, Association of Internet Researchers. Sheffield, UK. 30 October – 2 November 2024.
Undertaking digital ethnography on and with Instagram, with Marissa Willcox, Richard Rogers, Marije Peute. For UNESCO and The LiiV Center for Digital Anthropology, Global Partnership to Advance the Field of Digital Anthropology, 2023.
Taming the Uncanny: How the Surreal Inhabits the Ideology of the Metaverse. In Meta.space. Visions of Space from the Middle Ages to the Digital Age. OÖ Landes-Kultur / Distanz. 2022.