AI and its (Dis)Contents: Methods of Mapping AI as and with Digital Media, with Ruchard Rogers and Natalia Sánchez Querubín. Digital Humanities Today: Critical Inquiry with and about the Digital, King’s College London. London, UK. 23–26 June 2026.
Tagged “deepfakes”
Networked artifacts analytics: Interdisciplinary methods of investigating synthetic AI imagery. Seeing Through Complexity: Entanglements in Visual Cultures, ECREA Visual Cultures Section. Online. 6 November 2025.
The Death of an Image - Again? Using the ‘Digital Forensic Gaze’ to See (like) Deepfakes, with Richard Rogers. Ethics and Aesthetics of Artificial Images. IUAV University of Venice. Venice, Italy. 8–10 May 2025.
Artificial Elections: Exposing the Use of Generative AI Imagery in the Political Campaigns of the 2024 French Elections, with Salvatore Romano, Miazia Schueler, Buse Ryze Çetin, Sonia Tabti, Marc Faddoul, Ibis Lilley. AI Forensics, 2024.
What Do Deepfakes Want? Using the ‘Digital Forensic Gaze’ and Digital Methods to See (like) Deepfakes, with Richard Rogers. For ‘Digital Methods Summer School and Data Sprint 2024: Visual methods for digital research’, Digital Methods Initiative. Amsterdam, the Netherlands. 1–5 July 2024.
AI Art - Are We There Yet? Generative AIs as Actors and Actants across the Digital Vernacular. Technology, Art, and the Posthuman: The End or a New Beginning for Humanism? Conference, John Cabot University, Rome, Italy. 13–14 May 2023.