(Im)Material Problems. Challenges in Researching AI with Digital Methods in the Time of AI, with Richard Rogers. EASST2026 More than now: exploring resilient futures, European Association for the Study of Science and Technology. Krakow, Poland. September 8-11, 2026. doi.org/10.13140/RG.2.2.17362.52163.
Tagged “critical theory”
Keep Calm and AmaZen: Materialities of Energy-as-Work in Mindfulness Technologies. In Digital Exhaustion: Burnout, Fatigue, and Overload in the Age of Constant Connectivity, Intellect. 2026.
AI and its (Dis)Contents: Methods of Mapping AI as and with Digital Media, with Ruchard Rogers and Natalia Sánchez Querubín. Digital Humanities Today: Critical Inquiry with and about the Digital, King’s College London. London, UK. 23–26 June 2026.
From a (Magical) Analogue to a (Mythical) Digital: Reassembling Imaginaries of Algorithms from (Black) Boxes to Diagrams. 4S 2025 Conference, Society for Social Studies of Science. Seattle, WA, USA. 3–6 September 2025.
Esoteric AI. In Slow AI, AIxDESIGN, 2025.
Network Mediality: (Re)assembling the Imaginaries of Black-Boxed Technologies from the Stars to the Data Points. ECREA Communication History Workshop ‘Communication Networks Before and After the Web: Historical and Long-term Perspectives’, CERN. Geneva, Switzerland. 5–7 February 2025.
Wearables and the Practice of Self-Surveillance as Self-Knowledge. In Proceedings of International Conference on Research in Education and Science 2023. ISTES Organization, 2023.
Generating AI: A Historical, Cultural, and Political Analysis of Generative Artificial Intelligence, with Carolina Aguerre, Rikke Frank Jørgensen, Gry Hasselbalch, Frank Pasquale, Nathalie Smuha, Aimee van Wynsberghe. For DataEthics.eu, 2023.
Desiring the Data, Desiring the Self: Datafication, Wearables and the Practices of Self-Surveillance as Self-Knowledge. International Conference on Research in Education and Science (ICRES), Cappadocia, Turkey. 18–21 May 2023.
AI Art - Are We There Yet? Generative AIs as Actors and Actants across the Digital Vernacular. Technology, Art, and the Posthuman: The End or a New Beginning for Humanism? Conference, John Cabot University, Rome, Italy. 13–14 May 2023.
Taming the Uncanny: How the Surreal Inhabits the Ideology of the Metaverse. In Meta.space. Visions of Space from the Middle Ages to the Digital Age. OÖ Landes-Kultur / Distanz. 2022.
Look Me in the Eyes: Witkacy’s ‘Portrait Gaze’ as a Critique and Anticipation of Culture Industry. Inquiries Journal, 2022.
The HaHa of Digital Deterritorialization: Looking at Memes through the Lens of Dada Laughter. For The Meme Studies Research Network, Centre for Data, Culture and Society. 2021.
Disruptive Laughter: Dada and Memes. ‘Video Vortex #13. Play, Pause and Reset’ Conference, Video Vortex & John Cabot University. Rome, Italy. 27 May 2021.
Pixelated Truth: The Digital Image as a Medium. The 5th JCU Posthuman Studies Workshop, John Cabot University. Rome, Italy. 28 November 2020.
I Present You with Myself: Facebook Avatars and Apple Memoji, or a Brief Account of the Evolution of Emoji. For Institute of Network Cultures, 2020.