The Death of an Image - Again? Using the ‘Digital Forensic Gaze’ to See (like) Deepfakes, with Richard Rogers. Ethics and Aesthetics of Artificial Images. IUAV University of Venice. Venice, Italy. 8–10 May 2025.
Tagged “Art History”
Wor(l)d-Image Trans-formation: Looking Through DALL-E 2 and Midjourney. In La Valle dell’Eden #41: ‘The algorithmic images between media, art, and society’, University of Turin. 2023.
AI Art - Are We There Yet? Generative AIs as Actors and Actants across the Digital Vernacular. Technology, Art, and the Posthuman: The End or a New Beginning for Humanism? Conference, John Cabot University, Rome, Italy. 13–14 May 2023.
Taming the Uncanny: How the Surreal Inhabits the Ideology of the Metaverse. In Meta.space. Visions of Space from the Middle Ages to the Digital Age. OÖ Landes-Kultur / Distanz. 2022.
Look Me in the Eyes: Witkacy’s ‘Portrait Gaze’ as a Critique and Anticipation of Culture Industry. Inquiries Journal, 2022.
The HaHa of Digital Deterritorialization: Looking at Memes through the Lens of Dada Laughter. For The Meme Studies Research Network, Centre for Data, Culture and Society. 2021.
Disruptive Laughter: Dada and Memes. ‘Video Vortex #13. Play, Pause and Reset’ Conference, Video Vortex & John Cabot University. Rome, Italy. 27 May 2021.
Pixelated Truth: The Digital Image as a Medium. The 5th JCU Posthuman Studies Workshop, John Cabot University. Rome, Italy. 28 November 2020.